Sums up their personalities pretty well.
Eddy: I can achieve anything
Edd: there’s a logical way to achieve what I want
Ed: there’s nothing standing in my way
Eddy hopping over the fence indicates his willingness to “cheat” the system, or to take a shortcut. Much like his schemes, it might end up being more work, but in his mind, cheating is the best way to get ahead.
Edd goes the neat and logical way, he’s straight forward. BUT, note that he closes the gate behind him rather than leaving it open. He’s incredibly meticulous and even if it’s more convenient to leave it open for anyone coming in behind him, he has to leave things neat, tidy and as he found them.
Ed is also is straight forward, he in fact is using the MOST direct route. But this route is one no one else would consider because it seems completely nonsensical. Which sums him up pretty well. The fact that it works for him is also fun to note. In general his earnestness and determination carries him through situations that most people would be stopped by.
I honestly never thought I’d see a critical analysis of Ed, Edd, and Eddy
*Jock cupping mouth in crowded high school cafeteria voice*
I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>
I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.
Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.
The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.
A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.
Best used for smooth blending, washes, gradients, and smoky atmospheric effects.
Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.
To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!
Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!
Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.
Hope that helps!
a collection of armins
All of my favourite Armins except for the shouta porn Armin
Whyyyy does everyone always forget about Trigger Happy Armin?
you also forgot this Armin
once again forgetting female armin
what about Armin in real life
um you forgot arm pitt
old ass armin
you always forget him woah
And Fabulous armin
Don’t forget these guys
happy easter here’s a chocolate version of the cross our lord was tortured and killed on
what if the new animal species we discover each year are actually being dropped off by aliens? like they have an over abundance of yeti crabs or something and so they brought some to earth because they knew we’d get a kick out of this
This is the cutest conspiracy theory I’ve ever heard
I mean just look how happy he is
little baby tripped over a log
he is just so happy with his ball omg
MAKING BIRD FRIENDS YES CUTE
SO PROUD OF HIS BUNDLE LOOK
JUMPING FOR JOY
BABY ELEPHANTS EVERYBODY
when you do something embarrassing in front of a lot of people
When I grow up I want to be Ming-Na Wen.
She’s the voice of Mulan, as if she wasn’t amazing enough.
She broke it with her fingers. Not a fist, her fingers.
Girl is 50 years old.
FIFTY. YEARS. OLD.
fun fact: When you break things with your hands like that you have t break your fingers on purpose before so that they heal stronger. So basically this woman is so badass she broke her hands just to do this.
You asshat, you’re making it sound like she snaps her fingers in half.
Martial artists like Jackie Chan and Bruce Lee (and yes, fucking Ming-Na Wen, that beautiful badass) will build up their bone strength by repeatedly (and fairly gently) striking sand, gravel, wood and steel - this creates tons of microfractures in their bones (smaller than even a hairline fracture) so the bones will heal over again and make the bones stronger and denser with increased deposits of calcium.
This has to be done over long-ass periods of time, so the bones have time to heal, and none of the fractures expand into actual breaks.
Oh, and she’s doing precise-ass kicks in HIGH HEELS.
she kicks ass like a coursing river
with all the force of a great typhoon
WITH ALL THE FORCE OF A RAGING FIRE DAMMIT